Dissecting technology


A problem:

We're surrounded by machines made by human brilliance, but we don't experience them as brilliant — we experience them as alien and inhuman and infuriating.

But machinery is wonderful. It can be understood perfectly, and exploring machinery can be exhiliarating, and wonder-provoking.

Outside of shop class, schools don't do much of this.

Our basic plan:

  1. Once a month, each of our classes will pick a technology — toasters, for example.
  2. They'll make a prediction as to how the device works, and write those down (perhaps publicly, on our chalk wall.)
  3. The students will try to figure out how it works: they'll shake it, draw it, bang on it, dissect it, and probe it with questions.
  4. Those questions that elude even the class's best attempts to answer, the teacher may prepare a lesson on.
  5. They'll try to re-assemble it. They might even try to build another one, from spare parts.

Our goals:

We hope to...

  • Help students understand how the world around them works.
  • Develop a habit of thinking: how do things work?
  • Nurture a (true) conviction that our students can understand anything technical they put their minds to.

If you walk into our classrooms, you might see:

If you enter one of our classrooms, you might spy a student pressing gently on a toaster's exposed spring coils with a pencil, to see how they work. You might also stumble upon students arguing over how something works.

Some specific questions:

  • How do we, erm, prevent kids from wounding themselves? Machines can hurt. How do we want to handle safey?

How to Talk "Imaginative Education" (to People Who Only Want to Hear "Brain Science")

This is you (no, really)
This is you (no, really)

I've lagged in posting because, for the last week, I've been consumed with preparing (and giving) a speech for the 2014 Imaginative Education Conference, held in beautiful Vancouver, British Columbia. Its title: How to Talk 'IE' to Someone Who Only Wants to Hear 'Brain Science.'

It tackled a fairly serious problem I've had: I know IE, I love IE — and yet it's been very difficult to talk about. The standard way of presenting it (starting with the concept of cultural–cognitive toolkits) tends to befuddle people from the get-go.

That's tragic, as IE is (I think) an unbelievably powerful idea — maybe the most powerful in education today. 

And, at its root, it's a rather simple idea, as well.

That, at least, is what I suggested in my conference talk. I've re-recorded the talk, and I'll be posting it (in chunks) over the next couple days.

Here's the first part:

Part two:

Part three:

And, finally, part four:


I'd love (love love LOVE) feedback on the talk.

Oh, hold up — if you don't know anything about IE (Imaginative Education, that is), don't worry. The video shall explain all.

I haven't written much about IE lately, which is, frankly, weird — I see IE as being the beating heart of our school, particularly in the early grades. (In the triad of love—mastery—insight, IE is the tool that enables us to nail love.)

One of my (myriad) hopes for our school is that it can be a sort of flag for the educational world on how powerful IE is in crafting a curriculum that matters — that draws in all aspects of a students cognition, particularly their emotions.

If you like this video, let me know — I'd be interested in tweaking it to explain IE to an audience who's never heard of it. And then maybe releasing it as a series of quite short videos.

CONTENT is KING. Or maybe not? (part 2)

On Monday, I tried to explain why I found Kieran Egan’s model of Imaginative Education (and Corbett Charter School’s living out of Egan’s model) so danged exciting. I attempted to explain it in terms of the depth of content that their teachers and students regularly swim in. Instead of skating the surface of a topic, covering what’s most important, they dive into topics, constantly uncovering fascinating details.

As I pointed out, that explanation fails. Depth of content can’t, all by itself, be what strikes me so powerfully about IE, because diving deeply into content can still be boring. (Horribly boring, in fact.)

If content-focused education is to be wonderful, I suggested, it would have to be nested inside something larger.

So let me try this again:

What strikes me so powerfully about IE is that it engages emotions, not just cognition. Furthermore, it sees all academic content as potentially rich in emotional substance.

There are two pieces of this, which I’ll explore for the rest of the week. First, IE is making a statement about human psychology: our emotions are more fundamental than our rationality. Second, IE is making a statement about the external world: virtually everything already has emotional resonance; we don’t have to try to “make” things interesting, as much as “bring out” how they’re already interesting.

Again, I’ll sketch out these two pieces this week, but in the end this discussion boils down to this:

How can we create a school that puts human interests, emotions, hopes, and fears at the center of the curriculum? How can we create a school that sees “academic content” (gods, that term is so dry, isn’t it?) as full of rich complexity that can feed many aspects of our students? How can we conceive of a school that sees itself as a portal to the wonder of the world?

CONTENT is KING. Or maybe not? (part 1)

I suggested, in last Wednesday’s post about the consummate awesomeness of organizing all lesson planning around teams of teachers, that having the teams themselves wasn’t sufficient. The amazing thing Corbett is doing, in my mind, is both who and what: they combine team-planning with a specific method of planning —

they put the question of “what to do in class” after the question of “what is amazing about this content?” That is, they don’t explicitly talk about the form of instruction (game? debate? art project?) before nailing what the beating heart of the story is.

(This is one of the central characteristics of “Imaginative Education,” an approach coming from Kieran Egan and the rest of the Imaginative Education Research Group at Simon Frasier University in Vancouver, B.C.)

Ooh how I love thisBut why, precisely?

At first, I thought we might distill it (with apologies to Bill Gates, and the Internet as a whole) quite simply —

Content is king.

That is, I thought that IE’s wonder might come by getting teachers and students deep into the heart of academic subject-matter. And it’s there, I thought, where the wild things are — where the excitement and pleasures of learning reside.

I think this is a little right, and a little wrong.

First, the rightness of putting content at the center of pedagogy:

Teaching the “content” of the world is the one thing schools are charged to do that differentiates them from all other societal institutions — from the scouting and television and summer camps.

Schools, to be clear, do a lot of things: they socialize kids with one another, prepare people for careers, and teach us all not to wipe our noses on our sleeves (shout-out to my second-grade teacher!). Thus, the school overlaps with other institutions — we can, for example, have productive discussions about what our school can learn from the Green Berets, or from (gods help us) a nineteenth-century free love commune, or from whatever.

But at the end of the day, I’ll suggest, a school is fundamentally about doing something else: engaging academic content, which is to say bringing the swirl of the external world to the consideration of five-to-eighteen year olds.

So, again, my initial theory as to why what Imaginative Education says (and what Corbett Charter School does) strikes me as so amazing is that it doesn’t allow us teachers to skate on the surface of content, but to dive right in.

There’s a problem with this idea, however: content can be dead.

That is, content can be dull, dreary, meaningless. It can be any other nasty adjective we’d like to apply to it. Focusing on content can lead us to a pointless, thirteen-year trudge through minutiae.

And we’ve all experienced this sort of education. (If, someone, you’ve avoided this, watch 1986’s Ferris Bueller’s Day Off, and Ben Stein’s immortal lesson on the Hawley Smoot Tariff.)

This charge has led many to de-emphasize rich content, in favor of thinking skills or child-centered learning, or practical skills.

(I don’t, for the record, mean this as a criticism, though I have my criticisms of these movements. Educating is hard, and one mussn’t be too ornery.)

I’ve been drawn, in the past, to those who oppose this rising tide, and attempt to bring “rich content” back to the heart of schooling.

A contemporary leader of the “content = king” paradigm is the wonderful E.D. Hirsch, whose thinking I have a complex relationship with. His popular work includes The Dictionary of Cultural Literacy and the series What Your Nth Grader Needs to Know.

Hirsch is vexed by the contemporary movement to replace rich content (myths and historical accounts and literature) with what he sees as soulless skills (“finding the main idea” and “making reader–text connections” and similar bilge). Here, I largely (entirely? vociferously?) agree with him.

He’s done wonderful work in arguing, from the work of cognitive psychologists, that specific knowledge is crucial for higher-level thinking. Want to be a powerful reader? Learn stuff! Want to be a masterful writer? Eat the world, and ruminate on it in your writing!

(If you’re interested in his argument here, you’ll want to check out cognitive psychologist Daniel Willingham’s wonderful Why Don’t Students Like School?)

There were a few years in which I found this compelling. But I’ve slowly circled around to the idea that idea that Hirsch’s conception is simply not enough. Rhetorically, it’s open to complaints that schools “teach dead content” and “engage rote memory.” Practically, it doesn't guarantee that classrooms won't devolve (under the control of less-than-inspired teachers) into a succession of "one damn thing after another.”

If we want to put content at the center of schooling, we need to nest it in something bigger.

On Tuesday, I’ll sketch out a better way — what, I think, IE and Corbett is doing that is so wonderful.